PLEASE NOTE: Books about individuals are listed on that person's relevant Encyclopedia page.

KEY BOOKS:

Peter Ackroyd.
The Origins of the English Imagination. (2002).

Peter Woodcock.
This Enchanted Isle - The Neo-Romantic Vision from William Blake to the New Visionaries. (2000).

F. Trentmann
Civilisation and its Discontents: English Neo-Romanticism and the Transformation of Anti-Modernism in Twentieth-Century Western Culture. (1994, Birkbeck College).
Partly published as a paper in: Journal of Contemporary History, Vol. 29, No. 4 (Oct., 1994), pp. 583-625

John Christian.
The Last Romantics: Romantic Tradition in British Art - Burne-Jones to Stanley Spencer (1989).

David Mellor.
Paradise Lost: the neo-Romantic imagination in Britain, 1935 - 1955. (1987).

S. Sillars.
British Romantic Art and The Second World War. (1991).

Arts Council Welsh Committee
British romantic painting in the twentieth century: A coronation year exhibition shown in Wales (1953).

Malcolm Yorke.
The Spirit of Place - Nine Neo-Romantic Artists and Their Times. (1989).

P. Cannon-Brookes.
The British Neo-Romantics. (1983).

Corbett, Holt and Russell (Ed's.)
The Geographies of Englishness: Landscape and the National Past, 1880-1940. (2002).

Robin Williamson and John Matthews (Eds.)
From the Isles of Dream: Visionary Stories and Poems of the Celtic Renaissance (1993)

Graham Arnold.
The Ruralists - A Celebration. (2003).

Christopher Martin.
The Ruralists (An Art & Design Profile, No. 23) (1992).

Louisa Buck.
The Surrealist Spirit in Britain (1988).

ON POETRY:

Edward Picot.
Outcasts from Eden - ideas of landscape in British poetry since 1945 (1997).

Andrew Duncan.
Secrets of Nature: Propaganda, Documentary, and the Origins of the Underground in British Poetry, 1932-70.

Rob Jackaman.
The Course of English Surrealist Poetry Since the 1930s (Studies in British Literature, Vol. 5.).

("...has probably the most serious account of the New Romantics [poetry only] currently in print." -- Andrew Duncan)

Stefan Schimanski & Henry Treece (Eds.).
A New Romantic Anthology. Grey Walls Press, 1949.

MARGINALITIES:

Michael Bracewell.
England Is Mine. (1997). (Erudite study of the links between English high culture and pop culture)

Recently noted publications:

Philip Hoare
England's Lost Eden: Adventures in a Victorian Utopia. (2005)

Dave Heath (b.1956)
Sirocco - Concerto for Violin, Oboe and Chamber Orchestra
The Celtic - Concerto for Violin and String Orchestra
Home from the Storm for Flute and Chamber Orchestra
The Sapphire for Oboe and Chamber Orchestra
Requiem: The Beloved for Soprano, Treble, Oboe, Choir and Organ
Lochalsh for Solo Violin.

"From a review: Collectors who purchased the Linn recording featuring The Celtic will pretty much know what to expect from the majority of works on this disc - the use of folk music, driving rhythms, heart-on-sleeve neo-romanticism"

John Lane and Satish Kumar (Eds.). Images of Earth & Spirit - A Resurgence Art Anthology. (2005)

Lowry Press, 2001. Unseen Landscapes. (Catalogue of a show of 'empty' landscapes, by Lowry, Raymond Moore, Edward Burra, Paul Nash and others.)

Brian Allen (Ed.) Towards a Modern Art World (Studies in British Art 1).

"To speak of 'the British' in conjunction with 'the Modern' is to suggest a linkage that goes against the grain of our understanding of the history of western art from the 18th century to the present day. This volume seeks to account for the marginal position of British art, by approaching that marginality as an historial problem."

Ted Hughes, Collected Poems (2004).

Seeking the Sublime: Neo-Romanticism in Landscape Photography (Sally Apfelbaum, Barbara Ess, Nancy Goldring, Sandra Haber, Lorie Novak, Jan Staller). Catalogue of an exhibition in the USA, 1995.